"What, indeed?" says Geoffrey, tragically. "Worse still, what would have become of poor Mona?",
Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of,
By this time they have reached Dorothy's room, and now, sitting down, gaze mournfully at each other. Mona is so truly grieved that any one might well imagine this misfortune, that is rendering the very air heavy, in her own, rather than another's. And this wholesale sympathy, this surrendering of her body and mind to a grief that does not touch herself, is inexpressibly sweet to her poor little friend.,
"Thief!" echoes Paul in a terrible tone. His whole face quivers, A murderous light creeps into his eyes.
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"Some other day you can do that. Now go," says Mona, imperiously, waving her hand.,
Long lived Mīka´pi. Of all the great chiefs who have lived and died he was the greatest. He did many other great things. It must be true, as the old men have said, that he was helped by the ghosts, for no one can do such things without help from those fearful and terrible persons.,
"No; on my word, no," says Nolly, choking with laughter, in which he is joined by all but Mona. "She said all that, and lots more!",
Fisher said to him, "I have been waiting a long time, and I was afraid that something bad had happened to you."
"Ah! here she is," says the duchess, looking at the girl's bright face with much interest, and turning graciously towards Mona. And then nothing remains but for Lady Rodney to get through the introduction as calmly as she can, though it is sorely against her will, and the duchess, taking her hand, says something very pretty to her, while the duke looks on with ill-disguised admiration in his face.
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"Don't say it! don't!" cries Mona, in an agony, stopping his mouth with her hand. "Do not! Yes, I give in. I will go with you. I will marry you any time you like, the sooner the better,"—feverishly; "anything to save your life!"
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g7sz7-Wong,
It’s a Quan-Yuan
"Are there no servants in my house," demands she, in a terrible tone, addressing Mona a steely light coming into her blue eyes that Mona knows and hates so well, "that you must feel it your duty to guide my visitors to my presence?"
tzfah-Xu,
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Now on the ground where this woman wrestled with people she had placed many sharp, broken flint-stones, partly hiding them by the grass. The two seized each other and began to wrestle over these sharp stones, but Kŭt-o-yĭs´ looked at the ground and did not step on them. He watched his chance and gave the woman a quick wrench, and threw her down on a large sharp flint which cut her in two; and the parts of her body fell asunder.
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Halin-Chen Response,
>It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how——
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